Yamaha MGP24X MIXING CONSOLE
24-Channel Premium Mixing Console
- 16 Mic Inputs with 48V Phantom Power and HPF per Channel
- 24 Line Inputs (16 mono and 4 stereo)
- 6 AUX Sends + 2 FX Sends
- 4 GROUP Buses + ST Bus
- 2 Matrix out
- 1 Mono out
Digital Heart. Analog Soul.
Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital technologies.
Drawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.
At the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod/iPhone integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.
The Evolution of Analog
When it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies into the development process of our premium professional analog equipment, the MGP is the next step in the evolution of compact professional mixers.
D-PRE
The preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.
X-pressive EQ
Everyone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.
1-Knob Compressors
Originally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.
Integrated Rack Ears (MGP16X/12X)
With integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.
Internal Universal Power Supply
You can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.
A Revolution in Digital
The MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.
Hybrid Channel
40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.
Priority Ducker
An invaluable feature for applications that require both public-speaking and background music, Priority Ducker allows a microphone to take priority over another sound source automatically, just by speaking into the mic. Stop talking and the other sound source is brought back to its original level, therefore no console operator is required for this simple yet valuable function. You can even adjust the ducker attenuation of sound source depending on your preferences.
Leveler
This intelligent compressor “auto levels” different tracks from a sound source that vary in volume, providing a more pleasurable listening experience. Ideal for small events with un-manned operation of your console, Yamaha's proprietary DSP algorithm allows for extended play time without the worry of fluctuating volume levels distracting your listeners.
The Stereo Image
The Stereo Image function seamlessly narrows the pan balance of the stereo sound source so that audiences spread over a wide area can enjoy a comfortably blended mix. This is particularly helpful for installed sound applications that requires background music. Using either of the two optimized settings—MONO and BLEND— Stereo Image ensures that everyone is in the "sweet spot" by providing a more optimally mixed sound to the entire space.
Dual Digital Effects
MGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.
Digital Connectivity for Your iPod/iPhone
In response to the growing demand for compatibility with iPod/iPhone, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.
MGP Editor
MGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.
Graphic EQ
The new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.
Multi-band Compressor
The MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.
High-Quality Digital Playback
The MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.
USB Device Recording and PlayBack
It's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive). When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.
Notes on the Use of USB Memory
As transfer speed requirements are strict for recordings made in WAV format
When first using a USB memory immediately following purchase or formatting with the MGP32X and MGP24X
Specifications
|
|
MGP32X |
MGP24X |
MGP16X |
MGP12X |
|
|---|---|---|---|---|---|
| Mixing capability | Mixing channels | 32 Line Inputs (24 mono and 4 stereo) | 24 Line Inputs (16 mono and 4 stereo) | 16 Line Inputs (8 mono and 4 stereo) | 12 Line Inputs (4 mono and 4 stereo) |
| GROUP | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | |
| AUX | 6 AUX Sends + 2 FX Sends | 6 AUX Sends + 2 FX Sends | 2 AUX Sends + 2 FX Sends | 2 AUX Sends + 2 FX Sends | |
| MATRIX | 1 Matrix out | 1 Matrix out | - | - | |
| On-board processors | FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control), FX2:SPX (16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control), FX2:SPX (16 PROGRAM, PARAMETER control) | |
| Input channel functions | - | - | Compressor CH1-8,HPF(100Hz 12dB/oct), CH EQ(MONO) ±15dB(Max.):High 8kHz shelving/ Mid 250Hz-5kHz peaking(CH1-8,13-16)/ Low 125Hz shelving, CH EQ(STEREO) ±15dB(Max.):High 8kHz shelving/ Mid 2.5kHz peaking(CH9-12)/ Low 125Hz shelving | Compressor CH1-4,HPF(100Hz 12dB/oct), CH EQ(MONO) ±15dB(Max.):High 8kHz shelving/ Mid 250Hz-5kHz peaking(CH1-4,9-12)/ Low 125Hz shelving, CH EQ(STEREO) ±15dB(Max.):High 8kHz shelving/ Mid 2.5kHz peaking(CH5-8)/ Low 125Hz shelving | |
| I/O | Mic inputs | MIC: 24 (INPUTS HPF: 100Hz 12dB/oct) | MIC: 16 (INPUTS HPF: 100Hz 12dB/oct) | MIC: 10 | MIC:6 (100Hz 12dB/oct) |
| Phantom power | 48V phantom power per channel | 48V phantom power per channel | 48V phantom power per channel | 48V phantom power per channel | |
| Line inputs | LINE: 24 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereo | LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo | LINE: 8mono+4stereo, CH INSERT: 8, RETURN: 1stereo, 2TR IN: 1 stereo | LINE: 4mono+4stereo, CH INSERT IN: 4, RETURN: 1stereo, 2TR IN: 1 stereo | |
| Digital I/O | USB Device, iPod / iPhone | USB Device, iPod / iPhone | USB Audio USB IN: iPod, iPhone exclusive | USB Audio USB IN: iPod, iPhone exclusive | |
| Total harmonic distortion | 0.02% (20Hz-20kHz@ +14dBu) | 0.02% (20Hz-20kHz@ +14dBu) | 0.02% (20Hz-20kHz@ +14dBu) | 0.02% (20Hz-20kHz@ +14dBu) | |
| Frequency response | +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz | +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz | +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz | +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz | |
| Hum & noise level | Equivalent input noise | -128 dBu Equivalent Input Noise | -128 dBu Equivalent Input Noise | -128 dBu (20Hz–20 kHz, Rs=150Ω, Input Gain = Maximum) | -128 dBu (20Hz–20 kHz, Rs=150Ω, Input Gain = Maximum) |
| Residual output noise | -92 dBu Residual Output Noise | -92 dBu Residual Output Noise | -102 dBu (20Hz–20 kHz, Rs=150Ω, Input Gain = Maximum) | -102 dBu (20Hz–20 kHz, Rs=150Ω, Input Gain = Maximum) | |
| Crosstalk | -74dB @ 1kHz | -74dB @ 1kHz | -74dB @ 1kHz | -74dB @ 1kHz | |
| Power requirements | 100-240V 50Hz/60Hz | 100-240V 50Hz/60Hz | 100-240V 50Hz/60Hz | 100-240V 50Hz/60Hz | |
| Power consumption | 86W max | 86W max | 55W max | 45W max | |
| Dimensions | W | 1,027mm (40.4") | 819mm (32.2") | 447mm | 348mm |
| H | 169mm (6.7") | 169mm (6.7") | 143mm | 143mm | |
| D | 565mm (22.2") | 565mm (22.2") | 495mm | 495mm | |
| Net weight | 19kg (41.9lb) | 15.5kg (34.2lb) | 9.0kg | 7.5kg | |
Analog Input Specifications
| Input Terminal | Actual Source Impedance | For Use With Nominal | Input Level | Connector | ||||
|---|---|---|---|---|---|---|---|---|
| PAD | GAIN | Sensitivity *1 | Nominal | Max. before clip | ||||
| MONO CH INPUT MGP32X: 1–24 MGP24X: 1–16 |
0 | -60dB | 3kΩ | 50-600Ω Mics | -80 dBu (0.078 mV) |
-60 dBu (0.775 mV) |
-40 dBu (7.75 mV) |
XLR-3-31 type *2 Phone jack *4 |
| -16dB | -36 dBu (12.3 mV) |
-16 dBu (123 mV) |
+4 dBu (1.23 V) |
|||||
| 26dB | -34dB | 600Ω Lines | -54 dBu (1.55 mV) |
-34 dBu (15.5 mV) |
-14 dBu (155 mV) |
Phone jack *3 | ||
| +10dB | -10 dBu (245 mV) |
+10 dBu (2.45 V) |
+30 dBu (24.5 V) |
|||||
| STEREO CH INPUT MGP32X: 25–32 MGP24X: 17–24 |
-34dB | 10kΩ | 600Ω Lines | -54 dBu (1.55 mV) |
-34 dBu (15.5 mV) |
-14 dBu (155 mV) |
Phone jack *4 RCA Pin Jack |
|
| +10dB | -10 dBu (245 mV) |
+10 dBu (2.45 V) |
+30 dBu (24.5 V) |
|||||
| MONO CH INSERT INPUT MGP32X: 1–24 MGP24X: 1–16 |
10kΩ | 600Ω Lines | -20 dBu (77.5 mV) |
0 dBu (0.775 V) |
+20 dBu (7.75 V) |
Phone Jack *5 | ||
| ST CH INSERT INPUT L,R | 10kΩ | 600Ω Lines | -20 dBu (77.5 mV) |
0 dBu (0.775 V) |
+20 dBu (7.75 V) |
Phone Jack *5 | ||
| TALKBACK INPUT | 10kΩ | 50-600Ω Mics | -66 dBu (0.389 mV) |
-50 dBu (2.45 mV) |
-30 dBu (24.5 mV) |
XLR-3-31 type *6 | ||
0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to maximum level. (all faders and level controls are at maximum position.)
*2 XLR-3-31 type connectors are balanced .(1=GND, 2=HOT, 3=COLD)
*3 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*4 Phone Jacks are unbalanced.
*5 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)
*6 XLR-3-31 type connectors is unbalanced.
Analog Output Specifications
| Output Terminal | Actual Source Impedance | For Use With Nominal | Output Level | Connector | |
|---|---|---|---|---|---|
| Nominal | Max. before clip | ||||
| ST OUT [L,R] | 75Ω | 600Ω Lines | +4 dBu (1.23 V) |
+24 dBu (12.3 V) |
XLR3-32 type *1 Phone jack *4 |
| MONO OUT | 75Ω | 600Ω Lines | +4 dBu (1.23 V) |
+24 dBu (12.3 V) |
XLR3-32 type *1 |
| GROUP OUT (1-4) | 150Ω | 10kΩ Lines | +4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone jack *2 |
| AUX SEND (1-6) | 75Ω | 600Ω Lines | +4 dBu (1.23 V) |
+24 dBu (12.3 V) |
XLR3-32 type *1 |
| MATRIX OUT (1, 2) | 150Ω | 10kΩ Lines | +4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone jack *2 |
| MONO CH INSERT OUT MGP32X: 1–24 MGP24X: 1–16 |
75Ω | 10kΩ Lines | 0 dBu (0.775 V) |
+20 dBu (7.75 V) |
Phone jack *3 |
| ST CH INSERT OUT [L,R] | 75Ω | 10kΩ Lines | 0 dBu (0.775 V) |
+20 dBu (7.75 V) |
Phone jack *3 |
| MONITOR OUT [L,R] | 150Ω | 10kΩ Lines | +4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone jack *2 |
| PHONES OUT | 150Ω | 40Ω Phones | 3mW | 75mW | ST Phone Jack |
0 dBu=0.775 Vrms, 0 dBV=1 Vrms
*1 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*2 Phone jacks are impedance balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*3 Phone jacks are unbalanced. (Tip=Out, Ring=In, Sleeve=GND)
*4 Phone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)